Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
全钟瑞真是从未让我失望啊，孙锡久这里面好狗好狗哦
还可以吧，依旧觉得孙锡久太迷人了；算是第二次看全钟瑞演戏吧，感觉她以后出来的戏咱就是必看！
看片过程哈哈哈，象嚼爽脆爆米花还飘丝淡奶油味：碎嘴销售和高冷酷杀手不打不相识，最后腻成相爱相杀好基友，事业爱情双丰收。
我靠我靠我靠，ShitShitshit。。。。。
好笑是真好笑，現在爬飛機成標配了，最後玩樂式打鬥不夠爽。
故事很简单，但是气氛太妙了，换演员就不行的电影。
华盛顿会面那场戏，fbi那个人直接拿着望远镜在那看，就差把“我是警察”写在脸上了。。。。。。
不温不火，浪费我的期待！杰森郭说得对：R级可能更美妙！
虽然故事老套，但是孙锡久和全钟瑞太配了，都好有魅力
哈哈哈哈哈哈，故事也太蠢了幸好节奏很快，虽然很套路，但还是蛮搞笑的
故事真的挺无聊的，但是孙锡久看起来更可爱了
话痨屌丝和高冷杀手并肩做任务的爆米花套路电影
逗乐，傻笑，慢热型动作喜剧，适合休闲时无脑看
话痨和杀手~虽然是杀手但也并不是沉默寡言型同样也是骚话连篇型~足够搞笑~就算是套路传统又怎样~还有“潘妮”来做配角~开政治正确的玩笑~警察一突入黑人主角立刻就疯狂示意自己没武器~健身房的动作戏算是全片的动作天花板了~伪长镜头动作流畅还附加喜剧效果~不过我觉的剧情上没必要搞出那么多用处不大的配角还都有名字…算是近期不错的喜剧了！
阅后即焚类电影。看的时候觉得还行，看完回想一下觉得这时间还不如用来痛哭一场。
动作喜剧永不过时，没人能拒绝冷峻杀手➕逗比嘴炮的组合
快剪辑的节奏不错。c9真是演喜剧片都自带性感氛围。p.s 有一个幕后花絮c9形容全钟瑞的性格是‘here is my house',很妙。
挺搞笑的，以为故事结束了，没想到结尾还有这么一大段，一镜到底的杀手团和山下智久可太行了
就想看看山p退出j家到底去演了个啥电影…结果镜头加起来时长还没有他ig发的拍摄时候的各种视频长😅剧情真的无力吐槽，节奏也很奇怪，要不是一直没看到山p出场真的可能就看不完了
无论是脱口秀还是电影都get不到凯文哈特的笑点
Copyright © 2015-2023 All Rights Reserved
