Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
21世纪爱情故事。 可以喝了酒看一下。两个人在小酒馆那段戏真的太上头了。
作为无厘头喜剧居然能又臭又长，在我本来以为结尾的地方又续上了
有趣更胜《王牌保镖》，性感不输杰森·郭达。
就被一波带走
Something called Netflix shit
这才是网大应该做到的样子，剧本极烂，哪怕政治正确到离谱都不失为一部好片，来不及动脑子就结束了，倍热闹
身份错位带来的笑料，公式化的内容。真的就只是也只能笑笑而已。
Damn my OCD. Once started, it has to be finished.
孙锡久真的太性感了全钟瑞好美，但是剧情真的太俗啦！
我觉得还不错诶！我蛮喜欢的！（虽然剧情有点俗，但是看看帅哥美女还是养眼的嘻嘻
网飞流水线网大…即使是网大，Penny这么著名的电视明星，也只能在其中演个配角。
没想到会是一个搞笑爆笑的电影，当初看到这个小个子黑人其实就应该能猜到的，从开始误打误撞的认为是这个多伦多男人（满嘴火车一事无成，竟然大家通过照片就信任了），到帮助fbi到帮助真正的多伦多男人，假扮是多伦多男人，然后真正的多伦多男人拿到钱，还干掉了想炸毁大使馆的幕后，以及背叛真正多伦多男人的女上司，一路上二人互相认识自我，不打不相识。
很符合现代的爱情故事，全钟瑞和孙锡久都好爱！但是现实生活中，这样的女生遇上这样的男孩子的几率真的好渺小啊……
无厘头喜剧，打发时间可以一看，最后健身房的那段打戏是全片精华。
总体来说，剧情比较无聊。可能本片使用的套路和公式没有跟我形成共鸣吧。有一方面原因是因为选角都不够养眼。秃头白大叔+黑人死胖子的组合毕竟颜值偏低。当然如果你喜欢黑人嘴炮式幽默那另当别论。杀手和废柴从互相不顺眼，到彼此救赎的故事也不算抓人。所以影片成了温吞水。小孩看不懂，大人不过瘾。
搞笑动作片，该有的元素都有了，各种设定非常成熟，武打动作也设计得挺好，各种热闹，很有成龙早期影片的感觉，当然情节就没啥可说的了，就是一个热闹。
抱有一定的期待，但不知道为什么，现在真的很难忍受那种话痨式的角色设定。。。
十渡下雨没漂流成回来的高钙羊肉 幸福 大概就是如此：） btw 还有1.5的卖画进账～
Kevin Hart真的太烦了holy shit...
超级庸俗的炮友变恋情的故事，但是孙锡久就算是这种这么土的马桶盖头，也是色欲满满的style啊
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