The film opens with a narrated disclaimer over footage of an opening coffin. The narrator explains that the film's climax is so terrifying that it may kill the viewer, and reassures the audience that if they die of fright while watching the film, they will receive a free burial service, and it closes on the casket which has a card inside reading "Reserved for You."[1]
Newlyweds Jenni (Peggy Webber) and Eric (John Hudson) move into Eric's palatial country home. Jenni is Eric's second wife; his first wife Marion died when she accidentally slipped and hit her head on the edge of a decorative pond on the estate. At the home they meet Eric's friends, the Reverend Snow (Russ Conway) and his wife (Toni Johnson), as well as Mickey (Alex Nicol), the developmentally disabled gardener. Eric privately mentions to the Snows that Jenni spent time in an asylum following the sudden death of both her parents, and Mrs. Snow reveals that Jenni is very wealthy.
Jenni is disturbed both by Mickey's belief that Marion's ghost wanders the estate and by Marion's self-portrait inside the house, which Jenni believes resembles her mother. When she begins to hear unexplained screaming noises and see skulls around her house, she believes that Marion is haunting her. Though Eric speculates to Jenni that Mickey, who was a childhood friend of Marion and thus dislikes Jenni, may be behind the trickery, Jenni worries that she is going insane. Eric then suggests to remove Marion's self-portrait from the home. Eric and Jenni take the painting outside and burn it. While they clean up the remains of the painting, a skull emerges from the ashes. While Jenni panics at the sight of the skull, Eric denies that the skull is there. Jenni faints and Eric withdraws the skull and hides it, revealing that he was responsible for the trickery all along in an effort to get hold of her wealth.
Believing she has finally lost her sanity, Jenni resolves to be committed. She tells Eric that the entire property will be meticulously searched for the skull as a last resort. Before Eric can retrieve it, Mickey secretly steals the skull and brings it to the Reverend, revealing Eric's plans. That night, Eric prepares to murder Jenni and stage it as a suicide. Jenni sees Marion's ghost in Mickey's greenhouse and flees back to the house. When she enters, Eric begins throttling her. The ghost then appears and chases Eric outside and about the property; it finally corners and attacks him, drowning him in the decorative pond.
After Jenni regains consciousness, the Snows arrive. Mrs. Snow comforts a hysterical Jenni and the Reverend discovers Eric's body in the pond. Some undisclosed time later, Jenni and the Snows depart from the house. Reverend Snow declares whether or not Marion's death was an accident will remain a mystery.
十几个人拍拍桌子就决定了600万犹太人的生死！看的太压抑。
如此大的邪恶，以一场相对文明的会议形式达成。
叙述清晰，电影用主角之道编写一生，可惜就是比较简单缺少剧情的冲击
影片中的艾希曼给人一种惊悚感，生动展示何谓“平庸之恶”。他也是本片中最令人毛骨悚然的角色。
感谢yyds uu的分享。看了。比起美版的美女云集（xx），演员选得更符合史实，戏剧感也更弱了，反而不像是场景复原的电影而是风格粗粝的纪录片了。其间对于Endloesung的讨论更加直接。
看完直观感受还是排音乐剧和拍电影真的不一样，说是剧院纪实我可能会更接受一些。没有看过视听量这么贫瘠的歌舞片，全程旁白驱动，毫无戏中戏的纵深，平行剪辑基本上被用成藏拙的手段，大量的时间花在了人物的推镜头、反应镜头和环绕镜头，空间的切分丝毫不能让人兴奋（想想《爆裂鼓手》怎么处理架子鼓演奏的），更不用说形成风格了...唯一能把这么多MV片段串在一起的也就是滴答声了。我想这部片证明了一个电影导演和戏剧导演最重要的区别，是对空间的感知，当摄影机把表演的分量削弱后，导演需要调度的是一个世界。
犹太清0既视感太强烈了...运输，隔离，处理，混血。讨厌无穷无尽列举可能性的法条。
感谢昆仑字幕组，翻译的很好，表述到位，会议室的辩论尤其精彩，恍惚有十二怒汉的意境———却突然发现：这是在讨论数百万人的生命而非一个人，一群演员居然一个不认识，打破了德国只有20名演员的传统—-没一张熟脸，百拍不厌的二战题材，反思到骨髓里的德国人，是否看到了现在世界的乌纳呢———————翻了下演員表，级別最高那位居然是《公猫》的男二！颠覆啊，加一星
欧洲全境犹太清洗的系统性程式化筹备大会&会议纪要抄送每一个与会者。“大概会是在波兰一个叫奥斯维辛的地方。” 规范和秩序究竟是限制还是拓宽了恶的边界？值得思考…
没有半点血腥
影片中的艾希曼和“艾希曼在耶路撒冷-一份关于平庸的恶的报告”中的他的形象判若两人，电影中的形象精明、有效率、有执行力。百度的词条，是纳粹德国官员讨论犹太人问题的最终解决方案的会议，于1942年1月20日举行，地点是柏林西南部的万湖的一个别墅。会议落实了有系统的犹太人大屠杀。
不评论会议内容。
“战争对于所有个体来说是不幸，但它也创造了机会，去书写真相，去激烈地干预社会，用宏伟蓝图区改造社会。就像农民如果想种田，那怎么也得先下锄头。”在那样一种背景下，是怎样的信念会让他们把种种残酷变成骄傲的事实。演员能说得出那些话，真的也是太厉害了。“这下跟孙辈们可有的讲了，有多少人能说自己塑造过世界历史呢？”
赞透了！这部歌唱传记片把一个鲜活的奋斗人生如实呈现，主角原创歌曲贯穿主线，歌词配合现实更引起共鸣。全片最贴切写实的是那种面临三十岁到来的彷徨迷惘和即将交稿但有毫无灵感的苦闷，以及又与情侣的烦心事交织一起的复杂情感。最可贵是没有特意的煽情片段，虽然后半段对童年玩伴的回忆时刻是泪光时刻，但却顺理成章。最后主角的结局一句话带过，非常精炼没有废章。
会议性的群戏，剧本很扎实，反映历史的片段，这种就是带有很明显的电视台出品电视电影剧特征的影片。当然，制作是不错的。
疫情时代又一部精彩的低成本室内电影，就像《人民的名义》一样，看官僚们唇枪舌剑的会议也比很多大场面还过瘾。“远程无接触的屠杀可以减少执行者的负罪感”，德三真是把人性玩明白了。虽然这段历史早已耳熟能详，但是再看一遍仍然触目惊心。
不是一个完美的结尾却是一个好的结尾，梦想不会因为失败而停止。主题很喜欢，但是摄影拉跨音乐拉跨演员拉跨，跟«爱乐之城»比真的就太不精致了，加菲真不适合演这种片，他和高斯林的气质一个天上一个地下。
看到高潮的我：就这？……其实不错啦，人物塑造、节奏把控都很好……只是希望打斗能更精彩点……
之前的“特别处理”，现在的“特别军事行动”
一句忠告：不要刚看完《EVA·终》就来看《咒回0》。会产生碇真嗣和真希波轮回转世的错觉的。并且，每次乙骨开口，都怕他把里香喊成明日香了…
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