The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
救女主的凯文比她黑男友好一些，为什么不选他呢，唉，难琢磨。
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故事短小精悍 层次分明 不错的影视小品
剧情简单略无聊，场景就一个（家），没有发人深省的思想内核，拍得很一般。
人工智能+新冠疫情版本的《后窗》，有点意思，索德伯格拍这张小而精的电影简直手到擒来，可惜高潮泄了，反杀像开了金手指，虎头蛇尾得很明显。题外话，女主简直过着我想要的理想生活，可以宅家工作谁想出门，两次发色都好好看。
很一般，没场面，没情节，最后女主发飙杀人反转太快。连续剧都不如。
“短小精悍”“节奏紧凑”“高潮迭起”
so is it Covid that causes her mental resistance to step out of the house
为啥她不直接找FBI呢，险些送命
女主不能打个911吗？
后疫情时代让人群心理障碍的这类人甚至是大部分社恐人群适得其所，可惜让很多正常人很难感同身受。疫情和人工智能也难以阻断罪犯的猖狂和权利者的野心，边缘人物的坚守、挣扎以及绝地反杀是对这个社会的暴击。
小成本精品，只用了不到90分钟讲好一个故事
保持锻炼，才能比别人跑得更快，动作更敏捷，思维更清晰，最终实现完胜
把靈魂出竅弄成奪舍倒是很奇妙，結尾模仿約翰·威克。
有点点致敬但剧本真的明明很多地方都可以更好
“在重新回味希区柯克和德·帕尔玛们的同时，索德伯格真正触发了当下类型电影的新机关，如何在今天讲好属于这个时代的悬疑故事，本片做出了轻盈而精彩的示范。”
剧本很扎实~精力都放在放大剧情有限的转折点上~非常solid不玩虚的~
就是现代版的《后窗》，探索大数据时代带来的道德伦理问题。
还好吧，就是最后女主用身钉枪杀了三个有点转变太大了
动作版内在美。12小时的轮回，身体可以更换，记忆可以消失，唯有爱意永不磨灭。最后的枪战节奏紧凑，比较流畅，尹启相现在已经算是硬汉演技扛把子之一了。
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