With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
4，父爱如山。
啊啊啊啊维瑟米尔太帅了，BGM很有游戏的感觉，好好看！
猎魔人前传
即使以黑色幽默剧的视角看，剧情也牵强的不行。而且大段大段的废话，观感实在一般。
后半段真的是开始好看了，前面各种桥段后面都有对应，看着又疼又欢乐
气氛营造的真好，猎魔人世界的气质很到位了，打斗也赞的，特别最后那把。猎魔人的传承。
x1.5
维瑟米尔，铮铮铁汉。可惜脱离了主世界观，让观影过程乏善可陈
高潮部分的二人决战，不论动作还是策略剧情，都将全片推至新的高度，而老家伙最后的敬光明正大的好人，也为他复杂的一生画上了句号，也将未来交给了维瑟米尔。
十分好看的独立猎魔人故事，喜爱小说和游戏的人一定会超级喜欢
故事倒是挺有意思，但这夫妻俩好像都不大喜欢拿枪，好几个可以拿枪的机会都没拿，有点强行延长剧情了。
标准的Netflix美漫画风，尚可的剧情，朴素的善恶观，还有不错血腥和打斗。
逃不过的命运，世间没有好坏之分。弥留之际，我还记得那湖边的小屋，就算你离我多年，我尚未对你有任何放弃。我们是杀妖除恶的独狼，我们是变种混血，纵使被世间放弃，可我们还是为人除魔。
Netflix 的动画像是都一个模子流水线刻出来的。
网飞的动画（外包）新作，这种把编剧和制作完全拆分开来的模式不是不行，但总会觉得这样让故事受到了影响，甚至缺乏灵魂，作为单部电影的话，本片自然不能像剧集一样充实设定，但好歹也不像《恶魔城》那样磨叽。
整个故事的框架还是挺不错的，特别是结局，挺搞笑和讽刺，有一星是给这个结局的。
老爷子维瑟米尔的起源故事，打斗不错，结尾光头杰洛特出现～
好像是大超演的美剧《猎魔人》的动画版。以前没看过这部小说改编的影视作品，这回对这个故事有了大概的了解。猎魔人是改装强化人类，不仅武力强劲以猎杀怪物为生，而且衰老得特别缓慢。普通人类在女巫的怂恿下利用魔怪向猎魔人发动了攻击。动作戏还是设计得比较漂亮的，流畅又帅气，画风硬朗，画面血腥，比较成人向的动画。
网飞给华纳塞了多少钱，能请出伏地魔来演杰洛特？原来青草试炼还有生发防脱的功效，猎魔人还怕招不到人吗，秃头少男少女抢着报名了啊！
全程无尿点，一个反转加一个反转，节奏紧凑，剧情紧张，就两个字，好看!
Copyright © 2015-2023 All Rights Reserved
