Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
同样是科幻和环保主题，这一部的科幻偏向超级英雄，环保内容比较隐晦，就仿佛我们看了几十年的末日科幻小说，已经忘记了末日小说源自环保担忧。动作场面很好看，钢铁侠蜘蛛人等各种融合，不明白这算不算侵权。甚至还有迪士尼调调的歌舞环节，看得还是尬尬的。。。不过总体来说能明显看得出熊出没的动画整体水平，已到达业内顶尖。画面视效台词搞笑梗都很好。但还是要说一句，这一部真的是商业味道蛮呛的。
环太平洋，钢铁侠，美国队长，蜘蛛侠，黑豹，复联，X战警，毒液，古墓丽影，穿靴子的猫，奥特曼，还有哪部电影?
加一星以资鼓励，虽然故事套路常见，但谁在过年会不喜欢一步合家欢大电影呢～
不要带女生看动画片，周围全是小朋友还不熄灯，弄得我都不好意思做羞羞的事情🤔
年度电影了，出乎意料的大人也能看，不会国语低幼，搞笑场面也不少。吐槽下电影院的熊家长们，好不容易陪孩子出来看电影，就差这点时间刷手机？在电影院手机屏幕那就是探照灯啊，SXB！！
陪娃看。////这个系列娃真是百看不厌，就是费妈。
比去年的好看，至少陪娃看时我没刷手机。最后还赚了我两滴眼泪。结尾太草率了，至少还得再来10分钟交代一下啊，估计是赶春节档没做完。
没看过熊出没，但是这打杀的，不能温情点吗？看其他国家的也没这样啊
不好！前半段还行，后半段变成奥特曼互打了，毫无意义，太拖沓了
带儿子看了4部贺岁档电影，儿子说熊出没最好看...唉，必竟是熊二一样的智商啊，没办法只能打5颗星了
爽片快感奶头乐，小朋友从此站起来撸
现在的国产动画片真的该好好表扬下，熊出没每年贺岁都不能少，虽然也有部分模仿剧情在，但画质和效果都不错，老少皆宜。
带小表弟去看，挺好看的，就是我熬夜在大战的时候碎着了，等APP上架是重新看一下
和小侄女一起看的，她说打四星，很好看，不能以大人角度看这部电影，不过从没看过《熊出没》的我，看完喜欢上了熊二，尤其吃冰淇凌那段，可以媲美《冰河世纪》。
闺女第一次进电影院，那么喜欢看熊出没的她看到后面都感觉不好看，以前在家陪她看的那些剧场版比起来都比这部有意思，这不就是套着熊二皮的套路片吗……（那些天天拿熊孩子说事的玩意儿，其实更讨厌的是那些带着孩子来看电影却在旁边玩手机的缺德玩意儿，就这些人养出来的孩子也好不了）
俗套的桥段，最后的打BOOS的整个剧情都可以在前几部电影里找出来，没有创新。
孩子们看的很欢乐！我是睡着了。加入了环保新区也算有教育意义吧！
每年不断尝试新的元素是好的 但内容表达上越来越匮乏了 就跟有的拍了个科幻大片 光大了 不像个好片儿了
但是我的熊二太有趣了哈哈哈哈
没事的，一切都会好起来的！
Copyright © 2015-2023 All Rights Reserved
