Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
Awwwww thats so cute 轻松愉悦的青春校园恋爱 好喜欢女主妈妈喔好酷哈哈哈哈
哇偶，现在的美国青春电影已经开始涉及同性恋啦
AJ好好，经历也很现实
啊，我看的时候还叫心烦意乱，现在在时间线上刷到就已经改为悸动了。
女版的《你好，赛蒙》，头回知道口交套这种东西
Netflix周作业，各种「政治正确」下的洒狗血校园戏。这次是加了个「女同三角」的戏份包裹，理所应当的「青春萌动」与「移情别恋」。新世纪二十年代网大的惯用手段，着实不新鲜也没意思。打发时间的「作业电影」，都嫌有点俗气有点齁。
还有那个seven minutes in heaven很好玩的样子哈哈哈哈哈。
可可爱爱的青春爱情，有些女通讯录才懂的梗，酷儿校园青少年电影多来点我不介意。
节奏、伏笔和创意都很好，故事也很好啊，我们或许早已忘了自己儿时的梦想，但有时候勾起那么一点点回忆时，那便是永生难忘，AI的爱
Paige和Gabby在操场kiss那里，让我想起了我第一次跟别人接吻，也是身体僵硬气氛尴尬，不过回想起来也蛮有趣的。
和《真心半解》之间差了十个《爱意，绽放》吧。
整部影片的色调相对来说还是比较鲜明的，基调旋律也比较轻松，无论是配乐还是氛围，都给人一种轻松自然的感觉，故事的结局还算是皆大欢喜，就我个人而言，姬片对我的吸引力没有那么的强烈，但这部影片带给我的整体感觉还是不错的。
（怎么可能会没有girl in red呢）
姬仔小甜剧。但没有一个女生是我的菜。hello, l’m board
比想象中还赚人热泪，后半部分真的太感动了（不要因为前半部分有点中二就跳过这部很好看的！）
比想象中还赚人热泪，后半部分真的太感动了（不要因为前半部分有点中二就跳过这部很好看的！）
so cuteeee arrrrr fxxk！
故事非常新颖，人类与ai互相寻找对方的感人故事，喜欢听歌剧喜欢迪士尼风格的不要错过
还有那个seven minutes in heaven很好玩的样子哈哈哈哈哈。
烂尾。最后公开在台上谈心、kiss的情节怎么看怎么突兀，结尾女主自白又扯到"be yourself"上了。
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