Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
就算槍戰，打斗，運鏡如何精彩，掩蓋不了剧情硬傷这事實，可惜～！。一个盲人可以自理已是奇跡，还可以深入虎穴和坏蛋槍战惡斗，太不合理吧？！槍林彈雨就算正常人都挂了不止几十次啦，可況是看不見的，唉～～
太多网络用语略显尴尬一些历史细节其实能启发一些兴趣
保持初心—善良勇敢自信，就算不被别人认可，永不灰心放弃，做好自己。
老演员真棒，演技都杠杠的。
所以就是说国内配音为什么要加那么多奇奇怪怪的网络流行语啊…好尬… 果真是儿童电影来着，就剧情也有点点尬…还老是有种皮克斯动画的既视感？但是又是很劣质痕迹很重的那种…那段唱歌尬的我直接原地升天886
杨杏和祁圣翰的疯批样子很迷人啊 特别是杨杏的疯批复仇人设太带感了 很是出彩 打戏蛮精彩的 不过情节真的是一言难尽 一些地方不清不楚的 主角光环实在是太严重了 强行HE也是我个人不喜欢的 不过我愿意为杨杏的表演加一颗星
萌萌哒，国庆适合亲子看。还有喜欢的光合积木全员出动😄
什么时候能学会不要用尴尬到爆炸的涩情桥段来表现人物关系呢，开局不到五分钟我眼睛就瞎了两三次了。
造型好，故事就是国外编导一股脑写出来没心思磨细节的流水线作品，不过其实还可以，国内市场定位加国外编导的路线其实可以，再多点本土化可打造新的儿童动画路数
近期难得的国产爽片，很多拍摄手法有好莱坞大片的影子 男主女主选的都不错，看到了国产动作片导航的进步。一切的剧情合理与否已经不重要了，关键是要爽。
安志杰fit，杨杏有辨识度，动作设计有水准，最大限度减少替身使用。整体节奏流畅明快。
虽然剧情、细节漏洞一堆，但打斗、枪战意外得还行！
明明是超胆侠偏要叫盲战，网大里能给个6.3，要是网大都这质量某些平台的会员也不是不值得开，片子也算钱花在刀刃上，动作戏拍的挺不错，当然槽点也多，网红演的警察真是又尬又恶心。
国庆溜娃，把娃给看哭了，没想到小朋友泪点这么低
哈哈哈扛过开局10分钟的扑面狂尬全片看下来意外不错！最大缺点大部分男演员（不包括探长）过于路人脸以及富二代演技全片倒一，对比之下姐姐们就不错，女主在开局表演过度夸张装b让我脚趾抠出半个横店后让我爱上了她，打戏相当不错，就是脸长得仿佛mix了很多演员甚至还有我同学，角色出彩程度完全压倒安志杰。最后15分钟剧情差评，如果能把这弱智结局改为男女主最后在一起那就是神作！瞬间脑补《失明中年男子的再婚奇遇》《成为寡妇后她嫁给了杀夫仇人》《小提琴新星采访：我的杀手后妈》哈哈哈哈哈哈！anyway杨杏小姐姐再磨练磨练业务，多多接戏多多拍戏，未来可期！
●警察竟然是个搞笑角色😂虽然他也不算好人啦(很孬的那种不良人)
我真的救命，中美合拍，中不中，美不美，真的是膈应人，还有那只小狗，黑化得也太突然了吧
甜甜圈的形象也真是脑洞开 也是可爱 搞笑的点也可以
好无聊啊，可能是我不是小孩子了吧
比较轻松愉快的电影，让我比较心疼的是白颂德的经历，如果人们对某件事情有过多的偏好，而社会又忽视另一方，可能就会导致不公和心理阴暗。像白颂德这样，没有菲拉萌的世界他才能活，才能避免被免费的赠送，那更多的是社会要关注的问题。而且菲拉萌仅仅是因为可爱就获得很多喜爱，有点像鼓励当下追求容貌的环境，如果可以体现多一些菲拉萌的努力和优势，立意会更好。
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