Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
解决了这样的问题
电信诈骗题材不好拍，韩国能拍成这样已经很不错了，至于滤镜也没有阴间啊，有些人人太过于敏感了吧
不过 问题总是要解决的
林则徐认为，既然不能阻止鸦片在国内流通，那就不要让钱财再让外国人卷跑了。而且当下清朝已经没有什么钱财了。所以林则徐看到了鸦片的暴利，所以，他就提倡在国内种植鸦片来抵挡外国的侵略。这样，外国的鸦片在国内就没有市场了。
历史剧，题材上就加分，动作上没啥可说的，过瘾！人物刻画也是满足了看客不同口味，本身对于虎门销烟的历史故事就比较熟悉，导演把故事节奏拍的比较紧凑，无需过多解释，背景比较熟悉，穿插几个不同情感的小故事，爱情，友情，兄弟情，缜密策略到嬉皮搞笑，刀光剑影到硬壳肉搏，刀光剑影到洋枪洋炮，真是为了满足不同看客，导演真是煞费苦心！
虽然电影里疯狂黑中国 u1s1 我们这反炸app天天宣传 也不见影视作品陆续跟上
这是有害的呀，有害的别抢着做，你就是为了利益还不承认……正义不灭你灭谁，谁让你是第一个
很敢拍，现实更接近社会真实的阴暗面，好真实，韩国电影的编剧是很会写
打斗场面的配乐比较违和，嘈杂。Y
整体还是不错，就是电影画面调色有些过了，谢苗的动作戏还是可以的
蛮好的，武打动作看得过瘾，情节紧凑，演技不拉垮，值得一看
在想，以后七分以下的电影尽量不看吧。
古代版扫黑除霸，武打动作酣畅淋漓，剧情也不拖沓，怪不得能有这么好的评分。谢苗的大光头某个角度可以媲美张卫健，还别说，是有点像
演员演的很卖力，打戏也很多，就是动作设计比较一般，继续加油吧。
唯一不解的事，一部禁毒题材的片子里，为什么要有男主嚼槟榔的设计。难道是故意讽刺吗
这样的电影只有网络电影可以审查通过，这是中国电影的悲剧
打戏燃到我了！谢苗演技真不错，跟老戏骨们同台也毫不逊色。
诈骗手法高级，警察也给力，被骗的钱能追回来
以网大的水平来看，还算是不错了。比起同题材赵文卓的那两部网大黄飞鸿强多了
作为一个动作片讲，还是不错的，远远胜过其它网络电影
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