With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
妹妹人设没立起来，姐姐人设还和第二部有差别，说起来第一第二部其实情感塑造都有缺失，只是这部烂得有点过分。
太直白没美感了，知道韩国人战斗力饥渴，越没有什么越幻想什么，但没有战力天花板，故事就扯淡呀
又乱又长，所有角色的起源和故事都没说明白，而且除了第一部女主，这一部一个人的名字都不知道/不记得。普通话小队真是听得头大；英语小分队的日常斗嘴还挺有趣的，大胡子是gay的设定，能在韩国主流银幕上看到是件好事啊，而且俩人有很强的没头脑和不高兴化学反应；凡人姐弟也让人唏嘘，女主能力过于强，但展现得太少，就期待个第三部吧。
俩多钟头剧情如此空洞，出场即是巅峰毫无对手
不知道是过渡原因还是因为故事本来就很烂，不太好看。虽说是妹妹的线，但是稀碎的离谱，正经戏份真的少得可怜。2个小时也不知道讲了个什么，就是几个变种人帮派打来打去，也没有什么脑力较量，就东一块西一块。累了真的。最后，可操控时间和空间，这不是变种人，是神吧。我要看你3怎么圆。
又是今年毁IP的作品，简直看不下去，啰嗦至极，人物的表情，动作特写了一遍又一遍，大段大段对白苍白无趣，人设极假。老婆娘的裹脚布一样又臭又长，终于看不下去了，不知结局，反正也不关心了，没一个有趣的人物
这是要打造一个魔女宇宙，魔女双胞胎找妈妈?中文挺尬的，打斗很强，强到离谱，看下一部还能怎么接。
看样子还有第三部，这部作为过渡，算中规中矩，非常有老调重弹的嫌疑，不过韩国影视工业很成熟了，打斗特效很流畅，可惜剧情节奏掉线显得杂乱无章又拖沓，但总得来说还是可以一看的。
剪辑混乱，不如第一部，期待的打斗场面太快，让我感觉像暮光之城的吸血鬼一样
确实不如第一部，技能太夸张了，反而不如第一部的动作场面好看。文戏更多更乱了，各方势力都没说清楚。
50分/电影很混乱，我也很混乱...无聊又郁闷的观看体验
说蹩脚中文我真的笑死了，韩国影视剧能不能找个好点的中文老师……
我以为李钟硕和神似李钟硕的少女都是脚演技，没想到多美出来之后也油油腻腻怪里怪气。这第二部在讲啥啊…
相比较第一部 期待越大 失望越大 跟第一部同样的毛病 就是拖沓冗长 铺垫个一个多小时 然后劲爽一会儿 虽说魔女2的能力感觉更强 但是相比较第一部竟然有种换汤不换药的感觉 只是换了个女主罢了 希望下一部好一些吧 别再这样冗长了 前面真的快睡着了 而且感觉铺垫了半天 铺垫了个寂寞 说了什么么 好像说了 又没完全说 就离谱 另外说英文的那个我还能接受 说中文的就大可不必了吧 你们几个韩国人说着非常不清楚的中国话 我真想一人一个大比兜的让他们说回母语 烦死了 不过上海站的小哥还是有点儿帅的
太烂了，编剧居然可以省事儿到这个地步。
太难看了。既然是打戏主场，干嘛要搞一个讲都讲不清楚的宏大背景。
爽片，动作和打戏像动漫一样夸张，却新颖而有看点。这片子有情节且能够自洽，或是完全没有情节都不错，败就败在有情节却很烂，给人一种想爽却如鲠在喉的感觉，真是窒息啊
跟第一部不上不下，节奏和支线有提升，动作戏缩减，缺乏小高潮，结尾大战挽回颜面，bug依然不少，槽点最多的是强行说中文，还上海来的，上海人估计要气死。还有第三部，感觉不妙，烂尾概率极大。
赛亚人都打不过你，小11更是不用提，中文口音都能尬死一大片。
最膈应的就是，韩国人说着韩语一脸拽的二五八万却又自我感觉良好的屌样。过度夸张的设定人家美丽国怪奇物语都没这么敢编。
Copyright © 2015-2023 All Rights Reserved
