Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
其中提到的现代人生活离不开网络而这些电子设备全都在监视人们生活这点真的细思极恐。虽然知道套路和big hero差不多但还是被感动得一把眼泪一把鼻涕。ron的声音和大白好像！
感觉一般…节奏太快了没啥意思…比起baymax还差一段距离
20世纪给了非常完美的答卷
老套 不能这么说 应该说找到了真正的点 而这个点是永恒的 互相支持的才是朋友 双向 最后上传云还是比较突破的结局
【7.5-】比《失控玩家》主题更明确，也更可爱
是我喜欢的那种故事 希望每个孩子都有闪亮的童年
最感动的点在深山黑夜里的为熟睡的你亮起一盏明灯。但结局太平淡了，有点失望，“朋友们”真的不是因为主角光环而回到主角身边的吗？
设定并不新鲜，可能过几年这台智能设备产品就会出厂吧，不过影片几处狠辣的讽刺很到位：再多的点赞也遮掩不了孤独，科技资本公司确实带来了便利和进步，但背后仍旧是贪婪。
前半段很好 Ron太可爱 奶奶的设定很有意思（）后面剧情有点强行，生凑大场面做高潮的感觉。还有迪士尼这样黑库克没问题吗
结局失去了机器人，获得了现实的友谊。
only the true friend will show up when you need him around.
高科技公司大数据算法 个人主义典型美式故事 人类无不挂念大苏 机器人的命也是命 辛辛苦苦设计的机器一摔就变了，保护装置太差 我要成为机器人之王
不好看，没有新意，想象力不足，设定悬浮，这样一个生活方方面面与现在别无二致的世界，唯独机器人科技爆炸了，且这样的科技成果只有儿童使用，这是生造一个不能独立行走只为剧情服务的世界观。科技公司的老板太脸谱化了，我呼吁打破刻板印象，期待有穿黑色高领套头毛衣的老头是好人&穿连帽衫的科技nerd是坏人的一天[doge]
you are my best friends out of box
你是我的朋友吗？如何成为朋友？友情是双向的。
像我这种自私的人就不太能接受最后非要牺牲自己当下唯一的好朋友去成就别人的幸福这种做法
Wow 我竟然发现了这两年最好看的动画电影——
不上不下，前中期感觉有一点想认真的味道，但到终盘时反而显示过于无稽，把原本可以有的深度都磨光了。
年度最佳动画应该算不上，实际上剧情真的不太通顺，ron也没有足够讨人喜欢的表现，主打温情的桥段感情又不够有力，但是剧情走向足够新奇，甚至到了有点混乱的程度。但有时候让人意想不到比逻辑通顺更加讨人喜欢。
感情真摯，但很多位置不流暢且拖沓，畫風也一般。
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