Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
西方没有打败俄国，只是骗了他们，早晚有一天他们会苏醒的。这个我国的“睡狮”论差不多。
另一版本的演绎更对我心
可能因为先看了两部无聊的漫威电影，再看这种爆米花喜剧真的觉得不错，虽然剧情逻辑很弱故事很撤反转又反转很刻意，可是看着开心呀
故事老套了，除了盖尔加朵的美貌和身材，我真的不能给再多了
很俗套，毫无惊喜。浪费了卡司。有那么一点《特别行动》的感觉，但是这部更差。
完整的战斗场面只有两段，不解馋！但话说回了，毛子的饱和式火力压制还以有那味儿的！
这是不是在抄袭哦不是致敬成龙的飞鹰计划?打斗场面看着太眼熟了，穿墙过户，上蹿下跳的追逐，使用随手可得的道具搞笑打斗。那个从高处跳下来撞到凉棚上落到地上的镜头居然用CG，还致敬两次? 纳粹掠夺的财宝。小贱贱可爱，大块头哪有那么聪明的脑子难为巨石了。优秀的娱乐作品，如果不考虑抄袭的问题。
毛子穷是穷点，打仗还是不怕死人的，跟过去的我们很像
从电影角度看前半段铺垫过于拖沓，后半段虽然精彩对战多了些，但中间还是穿插其他剧情，观影有种断断续续的感觉。真正精彩的就是几场战斗，而且最后搜救跳伞幸存的飞行员有点虎头蛇尾了，处理得过于简单和直接了，比不上国内的《战狼2》《红海行动》《长津湖》。可以通过电影瞥见俄罗斯民族对于以往大国荣光的怀念，对于国家民族崛起的渴望，但是毕竟昔日荣光不再，电影里的飞机都显得过于落后和陈旧，F16升空伏击完全都没有侦测到，可见对空域的控场能力已经是力不从心。不过战斗民族还是有股子狠劲的，恐怖分子都觉得害怕俄罗斯人，而且后来在克里米亚乌克兰的冲突中，尽管不再是昔日世界大国，但是那股子狠劲和彪悍还是可见一斑。欢迎加我微信pmyx2015，交流分享优秀电影。
就那么回事吧，这三个人，就是聚在一块聊天嗑瓜子，都能收割一大票观众
电子游戏都不敢这么拍，感觉有点像《神秘海域》的剧情，无脑米花片看着玩。
剧情实在比较散，毛子的电影一般前面铺陈都比较啰嗦，再加上看的字母也是个半成品，观感一般。
2021做后的俄罗斯大片，文艺武戏各半，煽情线也很好的阐述了战争的残酷和世界的不太平。6分。全程饿语，音效两声道有点可惜。
全程听的俄语，就中间美军雇佣兵的英文对话听懂了几句。情节的紧凑度比不上我们的《红海行动》，但从军事，家庭，多个纬度展现现代战争中军人得表现以及家人对战争的态度，很好的表现了战争的残酷。结尾纸飞机的艺术表现和小男孩对牺牲父亲的话有点潸然泪下的感觉
2个小时的战争电影，1个小时在扯家常里短！
军事方面的表现很好，但是前面长达1小时的文戏剧情比较拉胯和割裂。
搞笑剧本，如果没有盖尔加朵美女大姐姐性感加持的话，二怪咖搞基剧本要逊色不少。因为是娱乐爆米花，所以也不能太过追究剧本逻辑，图个消遣吧。
巨石强森全程一脸宠溺地看着贱贱。盖尔加朵都没眼了。
（涂个乐）
看到这个组合就知道是什么样的电影了，爆米花准备好了。没期望也就没有失望
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