Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
清新的画风 优美的音乐 青春的韵律 凄美的爱情故事 演员都很在线 配角更是出彩 摄影女助理和男主也很般配 哥哥和嫂子也不错
20220401 2:44看完 园园推荐
让我想起了以前我也总是躲在某个角落默默的看着那个男孩子 明明有很多想和他说 可是又不敢上前 以及中岛老师那段自白 是我自认为全片最出众的地方 真情实感哭泣了
过于冥长，情节老套无新意，导演想拍出对仗的感情，但爱情并不是公式，变化才有意义。
前面恋爱部分太短了，导致后面男主对变老的女主的爱完全支撑不住，不过，对于日剧该有的都有了。
后半段哭死了！不停得哭一直哭！樱花散尽，世界再无你，可春天是，想你的季节啊
kenty这次演技进步比我想象的要大很多，四五段哭戏表现的都挺不错，一开始的不自信，颓废，甚至有些驼背，前期就是kenty的相反面，唯一让我感觉到有点kenty味的是站在女主楼下打电话的声音，嗯，就是这个撩人味儿，后期找到了自己的摄影方向，能够大方自如地站在摄影棚里，大概是释放了20%kenty的功力吧w
三星给演技进步的中岛老师，一星给孩子先生的主题曲，其他的不提了🚬
也许普天之下的爱情故事，总是没什么新意。但是，同样的故事，即使讲一千遍，也依然如此动人。
哭到脑壳疼的一部片子，极度煽情，剧情平平，也有许多不符合常理的地方，但是作为一部主打煽情的纯爱剧，中规中矩。
其实在我这里有7分吧，属于合格的眼泪爱情片。首先我个人的偏爱比较喜欢松本穗香的演技，感觉她属于很容易把观者拉入第一视角的那种细腻演技。或许我泪腺太弱了，所以有被o(╥﹏╥)o到。另外撩人老师这里演技也很自然，很多表情处理挺到位的，真能有被甜到。不过最后那个要ZS时时机正好被打断有点刻意。整体来说本片画面很美，柔光可能稍微有点过，不过应该为了表现爱情的甜。中间樱花图片几次插入我有点不习惯。【思绪】爱情究竟是为了一同变老还是珍惜拥有？喜欢是对方的外表还是内在？外表改变后还能凭着感情认出对方吗？——毕竟是小说，本来也是赚眼泪的，当日影眼泪爱情片看其实可以了
哥哥嫂子与女主的相处好好哭，这剧但凡女主事务所厉害妥妥她单主吧，男主一大段时间是消失的，而且等到男主登场他大哭那里我明明正为前面哭呢也傻眼笑起来噗，表情太好笑了哈哈哈哈哈。
土制铁枪四围扫，钉瓶炸弹闹市响，不死硬汉黄政民斗悍匪；把原作的写实感惊悚题材改成标准飞车枪战肉搏动作片，各有所长吧
中岛的演技真的有了质的飞跃，已经摆脱了中岛健人，变成朝仓晴人啦！！！
他最后一直想要见见她，但是当她站在他面前时，他却没能认出来 。
岛的侧颜是真好看，哎，剧情有点烂，感情矫情，但两人cup感还行
故事比较平淡属于开头就猜到结局的类型，但是画面还是不错，中岛老师男友感好强
看得出导演和演员都在拼命催泪，但效果实在是不怎么样。全片拍的最好的是女主和嫂子的对手戏，除此以外都乏善可陈。男女主的感情戏没有cp感，尤其难以感受到女主对男主的喜欢，后期比起无法和男主在一起的痛苦更像是对自己老去男主还很年轻的痛苦，和对嫂子的感情是雷同的。而男主本身也已经删了联系方式向前走了，哥哥坦白女主生病这个设计导致男主的感情显得不够纯粹，最后的爆发戏比起无法在一起的痛苦也更偏向对自己的懊恼。男女主的感情是错位的，让人无法共情，演技也支撑不起人物，看完内心真是毫无波动
其实在我这里有7分吧，属于合格的眼泪爱情片。首先我个人的偏爱比较喜欢松本穗香的演技，感觉她属于很容易把观者拉入第一视角的那种细腻演技。或许我泪腺太弱了，所以有被o(╥﹏╥)o到。另外撩人老师这里演技也很自然，很多表情处理挺到位的，真能有被甜到。不过最后那个要ZS时时机正好被打断有点刻意。整体来说本片画面很美，柔光可能稍微有点过，不过应该为了表现爱情的甜。中间樱花图片几次插入我有点不习惯。【思绪】爱情究竟是为了一同变老还是珍惜拥有？喜欢是对方的外表还是内在？外表改变后还能凭着感情认出对方吗？——毕竟是小说，本来也是赚眼泪的，当日影眼泪爱情片看其实可以了
猜到了日本死人纯爱标准剧情走向
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