The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
听Mike Mills的Q&A像上了一节大师课
看到屋崙還挺親切,雖然沒什麼外景⋯⋯溫馨動人,但看完回味卻覺得有些疏離和飄渺的感覺。
又或许,最后二人的爆发打动了我:我可以感觉很糟,我有感觉很糟的权利,这太扯淡了。
3、
论我们大部分人的认知和独立思考的能力,你可能都不如米国一个7.8岁的孩子。
No worries, just starts in the sky. Be funny, comma, if you can, period. So impressive
扮演一些角色(和自己对话)以及把自己藏起来让大人焦虑,这些把戏我太熟悉了。
年度最佳。爱丽丝城市漫游记+里斯本的故事。
“你们这代人已经缺少了这种安宁静”
一部关于倾听、领会、回馈、倾诉的电影。黑白、低锐度的表象引向纷呈的内心色彩。用相互的凝视获得自我了解,当对方是孩子时,更能帮你打开茧缚。影像的钝感看得有点累,沟通不是轻松事。
大叔和小孩的套路电影。小演员不错,比较放松。
No more thoughts tonight, only stars in the sky.
孩子难带但可爱,如同光明的未来难以孕育,但总要有点手拉手的信念。
也许没有永恒这回事,但相伴过就足够美丽。我不会忘记。
扮演一些角色(和自己对话)以及把自己藏起来让大人焦虑,这些把戏我太熟悉了。
又或许,最后二人的爆发打动了我:我可以感觉很糟,我有感觉很糟的权利,这太扯淡了。
然而黑白镜头足以掩盖一切景、物,迫使你把一切注意力集中在人上,它具有的精神分析意味也水到渠成地展现出来。
我觉得主要论点是亲密关系使人成长,同时夹杂了太多政治正确的支线论点。
很多时候我也缺少了这种宁静
不错但没那么好。拍的不够亲切,但这些生活治愈的小故事需要更强的亲切感。有点疏离,会让我不够专心。
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