John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.
Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.
Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.
When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.
Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.
John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.
The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
最近看了两部谢苗的片子了，另外一部是叶问😏
一星给用心的网大，一星给谢苗。是一个用了心的电影，但是总是感觉哪里怪怪的。和正经电影厂拍的片子比，不丝滑。
网大里算是不错的，可以再精益求精。
65寸之第十五部
谢苗现在主攻网大有点可惜这身手了，可以跟香港导演合作一下，演反派也行
网剧里打斗的最流畅的～故事剧情啥的几天算了吧……
第一，本来没看出开这是谢苗，等到序幕的时候才看到。第二，还是出乎意料的精彩的，至少动作方便还是可圈可点的，还是下过功夫的。第三，歌颂社会主义价值观是对的，歌颂人民警察也是对的，为了我们整个民族复兴，社交媒体应该做出自己应有的贡献。
没什么东北特色 就中间踢场子还挺牛逼的 其他一般般 谢苗这一年拍了这是多少电影 最近老看他了
流浪的三毛他逆袭了，流浪的三毛他爱钱了，流浪的三毛他黑化了
动作戏不错，但剧情和节奏怪怪的。谢苗长得也不孬，也能打，演技也还行，不知道为啥火不起来。看花絮的时候，能看到谢苗也不年轻了，若连他都打不动了，我不知道年轻一代谁还能撑起动作片这一类型了。
动作戏场面真的好，现在正是当打之年，谢苗也该好好拍一些电影了。
剧情一般，个人主义太强了吧，实在不喜欢这种设定啊。但打斗戏我好爱看，太爽了，小谢多来点现代动作片吧。
其实还挺好看的，就是反派一个是衣云鹤屌丝男士的印象太深，一个胖子不够坏，戴眼镜的应该变态，但是不够。谢苗老了有点像刘奕君，身手还不错，期待上院线吧。
打戏挺燃的，老三和谢苗公交车这一场不错，文人拍武打戏，好看。
有太多导火线的影子，要是结局就卡在老三做大巴车走了就再加一分。
打戏真的很精彩，非常意外，但是剧情比较弱，犯罪分子出场到犯罪到伏法过于简单，没什么起伏，肖三毛这个角色可以塑造得更好，谢苗的警察既接地气又利落帅气
低配版配置“导火线” 简短流畅. 一部合格的网大电影,不难看
三分吧，老三黑化其实还行，塑料兄弟情。
对于一部网剧来讲 这个动作部分确实很走心了 个人觉得可以掩盖剧情上的不足 很值得一看
没想到，还不错。
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