James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
这番干净，也很宁静。画帧治愈。后面高潮处理有点仓促。
既然男人得不到了，就跟他女朋友搞姬，先上了她的女朋友。任性NTR，够狠的。
很缓慢的电影，老奶奶带着两个孩子在狐崎生活的小故事，“每天只要有一点点福气就够了”，奇幻类型的，治愈型
女一女二是真爱，男主才是工具人！女一的追爱操作直接给我看惊呆了哈哈哈
挺可爱温暖的一个小故事，画风配色很舒服，故事讲的一般，就还行吧
其实挺好的设定和画风，可惜了故事差一大口气，最后BOSS灭的跟开玩笑一样，那么多大神来了为啥一定要奶奶拿个小匕首去杀？
某国确实是有震后艺术作品的创作天分
画面干净、克制、情感准确、有触感
好温柔好温柔，虽然完全猜得到故事走向，而且故事提上去都没有很好收住
一般般不太喜欢。也没有露。颜值也不算很好那种吧这种看到就烦的
有点玄幻片的感觉，哈哈哈哈，真是出乎意料啊。治愈片得以为是夏目友人帐，但是又有很大差别。
画风非常nice尤其是回忆录。但是剧情很普通，前期剧情太过于铺垫后期……打败怪兽，怪兽已人类的悲伤为养料emmm。
温吞。想要立于现实之上呈现鬼怪的意味，但实在催眠。
我觉得教育意义还挺强的，在面对灾难的时候我们能怎么做，我们能做的减少伤害的行为是什么。
青春就是敢爱敢追啊，从那么高的楼往下跳太狠了。
想成为同样朴实，温柔的人。
希望承受够满满的苦难 会有可爱的神明助我吧
我可能老了…曾经最喜欢看的类型——动画电影居然断断续续看了一两个礼拜，难道是我没有童心了？明明画风和故事都很治愈，srds一下就打败小蛇也有点太bug了……
喜欢中间讲述传说的独特画风，很有风格，浪漫的童话故事，剧情在各种风格中来回穿梭也并无太多违和感，今年第一部治愈番
龙猫是用欢乐来治愈，迷途之家是治愈受过伤的人，影片对地震后人们受伤的隐喻很能戳到我
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